James Hynes

Very sad news from Ann Arbor today: Shaman Drum Bookshop, one of the great bookstores in North America, is shutting down for good on June 30. I've written earlier about Shaman Drum's troubles, which are the result of the usual suspects—the Internet, the chains, the economy, you name it—but even though I knew this was possibility, it's still very sad. You can read the message from owner Karl Pohrt about the store's closing here, and there's an article from the Ann Arbor News (which is also shutting down) here.

Rather than rehash the store's recent difficulties, I'll only say that it was my favorite place to give a reading, and not only because Ann Arbor is more or less my home town and the readings were attended by my friends. The store was one of the best venues in the nation for all sorts of great writers, which made it one the most prized destinations on any book tour. You'd always get a great introduction and an attentive and engaged audience. Each reading took over one half of the shop, and it was a wonderfully relaxed and intimate setting in which to read (beautifully designed, I have to add, by my friend, the architect Margaret Wong).

The Drum has been, for almost the last 30 years, one of the vital centers of literary culture in the Midwest, and not only because it went out of its way to carry small press and scholarly titles. The staff were like the Jesuits or the Marine Corps of booksellers, passionate about books and just that much better than other booksellers. My friend, the poet Keith Taylor, was manager there for many years, and, back when he was still smoking, he came to be known as the Mayor of State Street for the little literary/gossip/networking confabs that would happen out in front of the store—Keith knows everybody in the Midwest who ever put pen to paper—whenever he stepped outside for a cigarette and one writer or another would stop to talk with him. I was standing with him one sunny day in the early 90s when the writer Charles Baxter came steaming angrily up to us and said, without a word of greeting, "Borders just got sold to fucking K-Mart." Keith, I think, already knew (he always knows everything first), but it was the first I'd heard of it, and looking back on that moment now, all three of us should probably have felt the chill of the zeitgeist stepping on Shaman Drum's grave.

I was looking forward to reading from Next there next year, especially since so much of my new novel takes place in Ann Arbor. Now that's not going to happen. It's sad, sad, sad. I don't know what else to say.

It seems like most of my recent posts have had to do with yet another cataclysmic, epoch-ending moment in the world of books and literature—books themselves evanescing into pixels, John Updike evanescing into who-knows-what?—so maybe I should write about something else—another post about Bigfoot and UFOs, perhaps? King Zor, anyone?

But instead I thought I'd note yet another crisis in the book business, one that might seem rather localized and particular to one community, but which clearly speaks volumes about everything that's changing in the literary world. I've been lucky to live in three cities with a robust literary culture (i.e., places with lots of writers and writer wannabees in them) and lots of great bookstores. One is the place I live now, Austin, Texas; another is Iowa City, Iowa, where I went to the Writers' Workshop, and where you can't throw a stick down Iowa Avenue without hitting a novelist, a short story writer, or a poet. But the main one, the one closest to my heart, the place I still think of as my hometown, even though I wasn't born there, didn't get there until I was 18, and haven't lived there for nearly 15 years, is Ann Arbor, Michigan.

I won't go into my long history with books and bookshops in Ann Arbor—that would take a book in itself, and who reads books anymore, let alone books about books and bookselling?—but suffice it to say, I've a long, rather intimate history with two Ann Arbor literary institutions. One is Borders Books, which I first knew as a funky independent bookshop with creaking wooden floors during my freshman year at the University of Michigan, and where I went to work, the day after I graduated from college in 1977, back when the store was still a great independent. Lots more to say about my life at Borders, what it has turned into since, and what might become of it, but some other time.

The other great institution was, and still is, for now, Shaman Drum Bookstore on State Street, one of the great literary and scholarly bookshops in North America, founded and run by one of the great American booksellers, Karl Pohrt. There was a time, back in the early 1990s, when I had come back to Ann Arbor after my time in Iowa to teach at Michigan, that I used to drop into the store nearly every day. One of my best friends in the world, the poet Keith Taylor, used to be the manager there. When the store expanded during the 90s, the new space was designed by another good friend, the Ann Arbor architect Margaret Wong. And the store was, and, for now, still is, one of the most author-friendly places to give a reading that I know of; the best readings I've ever had were before a Shaman Drum audience.

Anyway, right now, the store is on the ropes, and is not likely to survive. Rather than explain the situation myself, I'll direct you to this eloquent and heartbreaking open letter from Karl Pohrt himself.

I don't quite know what to say about all this, or even what to think. As I said in a couple of posts ago, the new world of the book and of literature is actually kind of thrilling, and there's a lot I find appealing about, say, the utopian project of making the entire corpus of human knowledge available, free, to everybody, everywhere. But, as Karl points out in his letter, in every major cultural and economic shift, there is collateral damage, and for every cool new thing you can do online with or for or about books, it seems that the price is the death of another great local, indepedent, idiosyncratic bookshop like Shaman Drum. It also seems beside the point to wonder if what we're gaining is worth what we're losing, because it seems like the New Way of Doing Things is an unstoppable juggernaut, and what does it matter what grizzled old guys like Karl and Keith and me think?